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Worship Planning ››  Leviticus 19 (63)

Leviticus 19


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A Bunch of Pieces in Treble Clef A Bunch of Pieces in Treble Clef
WELLMAN, SAMUEL - SAMUEL WELLMAN

Czerny and other romantic composers of numerous easier teaching pieces for piano often set both hands in treble clef using easy keys, especially C. I decided to follow suit, but my collection is a bit... view details
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Angels We Have Heard On High Angels We Have Heard On High
French carol /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

This is an arrangement of the well-known Christmas carol for flute and piano on a moderately difficult level. There are four verses; the third is slow and the fourth is jazzier rhythmically. As in all of my... view details
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 Solo with Piano 
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Auld Lang Syne Auld Lang Syne
Scottish folk song /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

I set two verses of this famous tune, first in F, then modulating to A flat. My harmonies are generally rich and often from the jazz vocabulary. The second verse is more florid, with broken chord figures in... view details
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Away in a Manger Away in a Manger
Murray, James /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

A lyric and texturally rich arrangement of the famous tune by James Murray. Feel free to roll any chords spanning over an octave. Enjoy the many jazzy chords and irregular resolutions of dominant harmonies. My... view details
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Be Thou My Vision Be Thou My Vision
Irish melody /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

A harmonically luxurious arrangement of this unique and hauntingly beautiful tune. There are mild surprises: the introduction is in E flat, but the first verse opens unexpectedly in C. I reverse this process... view details
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Beets in the Oven, Op. 157 Beets in the Oven, Op. 157
Beethoven, Ludwig van /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

The curious title is a corruption of the name 'Beethoven.' For my model I chose the first movement of Beethoven's Sonata in G, Op. 49 No.2, a popular work which is not overly difficult. I took the original and... view details
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Carol of the Bells Carol of the Bells
Leontovych, Mykola /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

A technically challenging arrangement of the Ukrainian carol. One of the difficulties I faced was to give harmonic variety to the 4-note motive featured in the tune. The outer sections of my arrangement are... view details
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Come, Ye Thankful People, Come Come, Ye Thankful People, Come
Alford, Henry /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

An arrangement for two flutes and piano of the majestic tune often sung at Thanksgiving week. I set three verses; the middle is gentler, framed by more powerful outer sections. The flutes don't always have the... view details
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Flute Duet 
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Cool Ade, Op. 193 Cool Ade, Op. 193
WELLMAN, SAMUEL - SAMUEL WELLMAN

'Cool Ade' is a jazz piece. The title implies that my piece is 'cool,' and it also refers to the popular juice drink. The opening idea is in 9/8. The left hand is clearly in compound triple time, but the right... view details
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Dance Caprice, Op. 168 Dance Caprice, Op. 168
Grieg, Edvard /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

Did you ever wish to play a classical standard with some added difficulties? Now's your chance! I chose Grieg's Dance Caprice and messed it up a little with extra chromaticism and various juicy chords (some... view details
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Doce Canciones de Amor Mexicanos Doce Canciones de Amor Mexicanos
WELLMAN, SAMUEL - SAMUEL WELLMAN

My 'Twelve Mexican Love Songs' aim to imitate the style of music you hear when enjoying a meal in a Mexican restaurant, except that my pieces aren't true songs since they have no lyrics, and the titles have... view details
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Elixir of Tonic Elixir of Tonic
WELLMAN, SAMUEL - SAMUEL WELLMAN

From my fanciful collection 'Melodies of Ficklepenny.' 'Ficklepenny' is a fabricated word, and the individual titles are purposely nonsensical. In 'Elixir' I begin with a right-hand ostinato of minor ninths,... view details
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Furry Lizards, Op. 64 Furry Lizards, Op. 64
Beethoven, Ludwig van /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

Did you ever get tired of hearing 'Fur Elise'? Here's an antidote: my severely messed-up version, complete with 'wrong' notes added, thickened textures, and nonsensical performance instructions in the manner... view details
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Go Tell It on the Mountain Go Tell It on the Mountain
Afro-American spiritual /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

My principal aim in this arrangement was to make it as jazzy as possible, both in rhythm and harmony. The middle section is slow; the outer sections are bright and peppy. This format is common in many of my... view details
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God Rest You Merry, Gentlemen God Rest You Merry, Gentlemen
English melody, E /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

A challenging arrangement of the English Christmas tune. I use many jazz harmonies, but not jazz rhythms. There is an extensive introduction to create a contemplative atmosphere. I set three verses; the second... view details
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Good People All, This Christmas-Time Good People All, This Christmas-Time
Wexford carol /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

This is an arrangement of the Wexford carol, a unique Christmas tune which deserves to be better known. The lowered seventh and third scale degrees in the second half of the tune are remarkable and suggest... view details
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Gorilla Dance with Tulips Gorilla Dance with Tulips
WELLMAN, SAMUEL - SAMUEL WELLMAN

From my fanciful collection 'Melodies of Ficklepenny.' 'Ficklepenny' is a made-up word, and my titles are intended to make no sense. You may, perhaps, detect a bit of waltz in 'Gorilla,' a good example of... view details
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Guide Me, O Thou Great Jehovah Guide Me, O Thou Great Jehovah
Hughes, John /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

An arrangement for flute and piano of this stately tune. I set three verses; flute and piano share in presenting the melody. The third verse is the most florid, and melodic embellishing is enhanced; the... view details
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Flute Solo with Piano 
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Heavenly Sunlight Heavenly Sunlight
Cook, George /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

An arrangement for flute and piano of this classic gospel tune, a rare example of 9/8 meter. The first verse is in a slow blues style, followed by the chorus in a faster swing style. The subsequent verses are... view details
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Homage to O'Carolan, Op. 218 Homage to O'Carolan, Op. 218
O'Carolan, Turlough /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

A rich and rhythmically adventurous setting of nine tunes by Irish harpist and singer Turlough O'Carolan (1670-1738). A gifted melodist, O'Carolan's tunes, numbering over 200, superficially resemble Irish... view details
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Ice for Sale Ice for Sale
WELLMAN, SAMUEL - SAMUEL WELLMAN

From my humorous collection 'Folksongs of Antarctica.' Antarctica has a surplus of ice so you can buy it very cheaply. The energetic nature of my piece is periodically punctuated by a speech rhythm mimicking... view details
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In Springtime In Springtime
WELLMAN, SAMUEL - SAMUEL WELLMAN

From my humorous collection 'Folksongs of Antarctica.' The opening notes of the melody are a speech rhythm mimicking the title, 'In Springtime.' Note that at the ends of the second and fourth phrases I add an... view details
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It Came Upon a Midnight Clear It Came Upon a Midnight Clear
Willis, Richard /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

A florid arrangement for flute and piano of this beloved Christmas tune. The flute doesn't always have the melody; for instance, in bar 12 the piano presents the melody while the flute makes a duet in a higher... view details
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Jesus Is All the World to Me Jesus Is All the World to Me
Thompson, Will /arr. SAMUEL WELLMAN - SAMUEL WELLMAN

An arrangement for three flutes and piano of this well-known gospel tune. The arresting harmony at the beginning is the augmented sixth Thompson uses in the last phrase of the tune. All three flutes... view details
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Flute Trio 
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